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After setting her white bouquet on the large dining-table, Betty again hastened to her beloved garden and began weeding where her ministrations were needed. As she worked, she hummed “Sweet and Low” softly to herself. The school children had lately learned to sing it. Awakened to the fact of her son’s existence and perhaps as an antidote to her unusual display of sentiment, Mrs. Wopp spoke rather sharply. “Moses, time you an’ Betty was in bed. You won’t want to git up in the mornin’ an’ milk the cows.” Later left alone in the lower part of the house she stood arms akimbo in the middle of the kitchen gazing at the door through which Nell Gordon had just departed. Shaking her head she said mysteriously, “I kalkerlate as how things is a-settin’ in that way.” “All ready?” cried Captain Billy. “Are you ready, Ladybird?”.

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“Can you forgive me, Nell? This guiding star of Moses is our guiding star, too.” After a moment Howard continued, “I wish we could transplant this morning-glory into our garden, don’t you?” “Then he walked back as slowly and dignifiedly as a minister,—isn’t ‘dignifiedly’ an awkward word? I wonder if it is right?” The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. “Mosey!”.